There was a tap at the door at five in the morning. She woke up. Shit. Now what? She’d fallen asleep with her Palm Tungsten T3 in her hand. It would take only a moment to smash it against the wall and shove the battery up the nose of whoever was out there annoying her. She went to the door.There's more in the current New Yorker. It's pretty funny even if you haven't read the Millennium trilogy. If parody is the sincerest form of flattery, she must really like it.
“I know you’re home,” he said.
Kalle fucking Blomkvist.
She tried to remember whether she was speaking to him or not. Probably not. She tried to remember why. No one knew why. It was undoubtedly because she’d been in a bad mood at some point. Lisbeth Salander was entitled to her bad moods on account of her miserable childhood and her tiny breasts, but it was starting to become confusing just how much irritability could be blamed on your slight figure and an abusive father you had once deliberately set on fire and then years later split open the head of with an axe.
Salander opened the door a crack and spent several paragraphs trying to decide whether to let Blomkvist in. Many italic thoughts flew through her mind. Go away. Perhaps. So what. Etc.
Thursday, July 01, 2010
Nora Ephron has been reading Stieg Larsson
Nora Ephron calls her take on the Swedish author's series of books featuring Lisbeth Salander "The Girl Who Fixed the Umlaut."